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Ainsworth, W. A.  Duration as a cue in the recognition of synthetic 
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American Standard Acostical Terminology. S1.1-1960. 
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Atal, B. S. ,and  Schroeder, M.R., Adaptive  Predictive Coding of  Speech
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Atal, B. S.,  Hanauer, S.L., Speech Analysis  and Synthesis by  Linear
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Clark, M., and Milner, P.  Dependencies of timbre on the tonal loudness 
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Coleman, P. D. Failure to localize the source distance of an unfamiliar
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Coleman, P. D. An analysis of cues to auditory depth perception in free
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Coleman, P. D.  Dual role of frequency spectrum in determination of
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Damaske, P. Head-related two-channel stereophony with loudspeaker
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Ekman, G.  Two methods for the analysis of perceptual dimensionality. 
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Erickson, R.  Sound structure of music.  
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Fedderson, W. E., Sandel, T. T., Teas, D. C., and Jeffress, L. A.
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Gardner, M. B.  Historical background of the Haas effect.
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Gjaevenes, K., and Rimstad, E. R.  The influence of rise time on 
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Haas, H. Uber den Einfluss eines Einfachechos auf die Horsamkeit von Sprache.
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Jost, E.  Akustische und Psychomettische Untersuchungen an 
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Kruskal, J. B.  Multidimensional scaling by optimizing goodness of fit 
        to a nonmetric hypothesis. Psychometrica 29, 1-27 (1964a). 

Kruskal, J. B.  Nonmetric multidimensional scaling: a numerical method. 
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Leaky, D. M., and Cherry, E. C.  Influence of noise upon the equivalence
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Liberman, A. M., Cooper, F. S., Shankweiler, D. P.,and  
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Lochner, J. P. A., and de V. Keet, W.  Stereophonic and quasi-stereophonic
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Luce, D. A.  Physical correlates of nonpercussive nusical instrument 
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Luce, D. A., and Clark, M.  Duration of attack transients of 
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Markel, J.D., Digital  Inverse   Filtering  - A New Tool  for Formant
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Mathews, M. V.  The Technology of Computer Music. 
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Mathews, M. V., and Kohout, J.  Electronic simulation of violin 
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Mills, A. W.  On the minimum auditory angle. JASA 30, 237-246 (1958).

Mills, A. W.  Auditory Localization.  in Foundations of Modern Auditory
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Miller, N. J., Filtering of Singing Voice Signal from Noise by
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Moorer, J. A. The heterodyne method of analysis of transient waveforms. 
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Nordenstreng, K.  The perception of complex sounds: Semantic 
        differential attributes of speech and music. In Contemporary 
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Nordmark, J.  Perception of distance in animal echo-location.
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Ohm, G. S.  Ueber die Definition des Tones, nebst daran geknupfter 
        Theorie der Sirene und ahnlicher tonbildender Vorrichtungen. 
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Oppenheim,  A.V.,  Schafer,  R.W., Homomorphic   Analysis  of Speech,
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Oppenheim,   A.V.,   Speech   Analysis-Synthesis   System   Based  on
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        February (1969).

Plomp, R. The ear as a frequency analyzer. JASA, 36, 1628-1636 (1964). 

Plomp, R.  Timbre as a multidimensional attribute of complex tones. 
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Plomp, R., and Bouman, M. A.  Relation between hearing threshold and 
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Plomp, R., and Levelt, W. J. M.  Tonal consonance and critical 
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Plomp, R. and Mimpen, A. M.  The ear as a frequency analyzer, II. 
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Plomp, R. and Steeneken, H. J. M.  Effects of phase on the timbre of 
        complex tones.   JASA 46, 409-421 (1969). 

Plomp, R. and Steeneken, H. J. M.  Pitch vs. timbre.  
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Pols, L. C. W.  Perceptual space of vowel-like sounds and its
	correlation with frequency spectrum.  
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Rader, Charles M., Gold, B., Digital Filter  Design Techniques
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Risset, J. C., and Mathews, M. V.  Analysis of Musical Instrument Tones.
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Roffler, S. K., and Butler, R. A.  Factors that influence the localization
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Roffler, S. K., and Butler, R. A.  Localization of tonal stimuli
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Saldanha, E. L., and Corso, J. F.  Timbre cues for the recognition of 
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Sandel, T. T., Teas, D. C., Fedderson, W. E., and Jeffress, L. A.
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Shepard, R. N.  Analysis of proximities: Multidimensional scaling with
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Teghtsoonian, M., and Teghtsoonian, R.  Scaling apparent distance in
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Winckel, F.  Music, Sound and Sensation: A Modern Exposition. 
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